HISTORY 135E

Department of History
University of California, Irvine
 Instructor:    Dr. Barbara J. Becker
 

Week 2.  Building Sites

excerpts from
Books II, V and X of De Architectura (c. 27 BCE - 14 CE)
by Marcus Vitruvius Pollio (fl. 1st century BCE)

 
Book II
Introduction

5.  In the first book I have treated of architecture, and the parts into which it is divided; of the walls of a city, and the division of the space within the walls....  I must preface [this book] with an inquiry into the origin and various species of the earliest buildings, and their gradual advance to perfection.  In this I shall follow the steps of Nature herself, and those who have written on the progress from savage to civilized life, and the inventions consequent on the latter state of society.  Thus guided, I will proceed.

Chapter 1--A History of Man-made Structures

1.  Mankind originally brought forth like the beasts of the field, in woods, dens, and groves, passed their lives in a savage manner, eating the simple food which nature afforded.  A tempest, on a certain occasion, having exceedingly agitated the trees in a particular spot, the friction between some of the branches caused them to take fire; this so alarmed those in the neighborhood of the accident, that they betook themselves to flight.  Returning to the spot after the tempest had subsided, and finding the warmth which had thus been created extremely comfortable, they added fuel to the fire excited, in order to preserve the heat, and then went forth to invite others, by signs and gestures, to come and witness the discovery.  In the concourse that thus took place, they testified their different opinions and expressions by different inflections of the voice.  From daily association words succeeded to these indefinite modes of speech; and these becoming by degrees the signs of certain objects, they began to join them together, and conversation became general.

2.  Thus the discovery of fire gave rise to the first assembly of mankind, to their first deliberations, and to their union in a state of society.  For association with each other they were more fitted by nature than other animals, from their erect posture, which also gave them the advantage of continually viewing the stars and firmament, no less than from their being able to grasp and lift an object, and turn it about with their hands and fingers.  In the assembly, therefore, which thus brought them first together, they were led to the consideration of sheltering themselves from the seasons, some by making arbors with the boughs of trees, some by excavating caves in the mountains, and others in imitation of the nests and habitations of swallows, by making dwellings of twigs interwoven and covered with mud or clay.  From observation of and improvement on each others' expedients for sheltering themselves, they soon began to provide a better species of huts.

3.  It was thus that men, who are by nature of an imitative and docile turn of mind, and proud of their own inventions, gaining daily experience also by what had been previously executed, vied with each other in their progress towards perfection in building.  The first attempt was the mere erection of a few spars united together by means of timbers laid across horizontally, and covered with reeds and boughs, for the purpose of sheltering themselves from the inclemency of the seasons.  Finding, however, that flat coverings of this sort would not effectually shelter them in the winter season, they made their roofs of two inclined planes meeting each other in a ridge at the summit, the whole of which they covered with clay, and thus carried off the rain.

4.  We are certain that buildings were thus originally constructed, from the present practice of uncivilized nations, whose buildings are of spars and thatch, as may be seen in Gaul, in Spain, in Portugal, and in Aquitaine.  The woods of the Colchi, in Pontus, furnish such abundance of timber, that they build in the following manner.  Two trees are laid level on the earth, right and left, at such distance from each other as will suit the length of the trees which are to cross and connect them.  On the extreme ends of these two trees are laid two other trees transversely: the space which the house will inclose is thus marked out.  The four sides being thus set out, towers are raised, whose walls consist of trees laid horizontally but kept perpendicularly over each other, the alternate layers yoking the angles.  The level interstices which the thickness of the trees alternately leave, is filled in with chips and mud.  On a similar principle they form their roofs, except that gradually reducing the length of the trees which traverse from angle to angle, they assume a pyramidal form.  They are covered with boughs and smeared over with clay; and thus after a rude fashion of vaulting, their quadrilateral roofs are formed.

5.  The Phrygians, who inhabit a broad plain destitute of timber, choose natural hillocks, which they pierce and hollow out for their accommodation, as well as the nature of the soil will permit.  These dwellings they cover with roofs constructed of logs bound together, covered with reeds and straw, and coated with a large quantity of earth.  This species of covering protects the hut from the extreme heat of the summer, as well as from the piercing cold of the winter.  The weeds which grow in the vicinity of pools are used in other parts of the covering of the huts.  Each nation, in short, has its own way of building, according to the materials afforded and the habits of the country.  At Marseilles the roofs are covered with straw and earth mixed up together, instead of tiles.  At Athens, even to this day, the Areopagus, an example of remote antiquity, is covered with clay; and the house of Romulus in the capitol, by its thatched roof, clearly manifests the simple manners and habits of the ancients.

6.  It is from such specimens we are enabled to form just ideas of the early method of building.  Daily practice made the original builders more skilful, and experience increased their confidence; those who took more delight in the science making it their exclusive profession.  Thus man, who, in addition to the senses which other animals enjoy in common with him, is gifted by nature with such powers of thought and understanding, that no subject is too difficult for his apprehension, and the brute creation are subject to him from his superiority of intellect, proceeded by degrees to a knowledge of the other arts and sciences, and passed from a savage state of life to one of civilization.

7.  From the courage which his gradual success naturally excited, and his engagement in those various speculations with which the arts are connected, his ideas expanded; and from building huts he soon proceeded to the erection of houses constructed with brick walls or with stones, whose roofs were of timber covered with tiles.  Thus by experience and observation the knowledge of certain proportions was attained, which in the beginning were fluctuating and uncertain; and advantage being taken of the bounty of nature, in her supply of timber and other building materials, the rising art was so cultivated that by the help of other arts mere necessity was lost sight of; and by attending to the comforts and luxuries of civilized society, it was carried to the highest degree of perfection....

Book V
Introduction

5.  ... in this [book] I intend to describe the arrangement of public buildings; and that of the forum first, because therein public no less than private affairs are regulated by the magistrates....

A view of Pompeii's Forum.

Chapter 3--Planning for Public Buildings

1.  When the forum is placed, a spot as healthy as possible is to be chosen for the theatre, for the exhibition of games on the festival days of the immortal gods, according to the instructions given in the first book respecting the healthy disposition of the walls of a city.  For the spectators, with their wives and children, delighted with the entertainment, sit out the whole of the games, and the pores of their bodies being opened by the pleasure they enjoy, are easily affected by the air, which, if it blows from marshy or other noisome places, infuses its bad qualities into the system.  These evils are avoided by the careful choice of a situation for the theater,

2.  taking especial precaution that it be not exposed to the south;  for when the sun fills the cavity of the theater, the air confined in that compass being incapable of circulating, by its stoppage therein, is heated, and burns up, extracts, and diminishes the moisture of the body.  On these accounts, those places where bad air abounds are to be avoided, and wholesome spots to be chosen.

3.  The construction of the foundations will be more easily managed, if the work be on a hill; but if we are compelled to lay them on a plain, or in a marshy spot, the piling and foundations must be conducted as described [in Book III].  On the foundations, steps are raised, of stone and marble.

4.  The number of passages ... must be regulated by the height of the theater, and are not to be higher than their width, because if made higher, they will reflect and obstruct the voice in its passage upwards, so that it will not reach the upper seats above the passages ..., and the last syllables of words will escape.  In short, the building should be so contrived, that a line drawn from the first to the last step should touch the front angle of the tops of all the seats; in which case the voice meets with no impediment.

5.  The entrances ... should be numerous and spacious; those above ought to be unconnected with those below, in a continued line wherever they are, and without turnings; so that when the people are dismissed from the shows, they may not press on one another, but have separate outlets free from obstruction in all parts.  A place which deadens the sound must be carefully avoided; but, on the contrary, one should be selected in which it traverses freely.  This will be effected, if a place is chosen wherein there is no impediment to sound.

6.  The voice arises from flowing breath, sensible to the hearing through its percussion on the air.  It is propelled by an infinite number of circles similar to those generated in standing water when a stone is cast therein, which, increasing as they recede from the center, extend to a great distance, if the narrowness of the place or some obstruction do not prevent their spreading to the extremity; for when impeded by obstructions, the first recoil affects all that follow.

7.  In the same manner the voice spreads in a circular direction.  But, whereas the circles in water only spread horizontally, the voice, on the contrary, extends vertically as well as horizontally.  Wherefore, as is the case with the motion of water, so with the voice, if no obstacle disturb the first undulation, not only the second and following one, but all of them will, without reverberation, reach the ears of those at bottom and those at top.

Pompeii's Odeon is a small theatre designed for events--like auditions or readings--that would attract crowds of less than 1000.  It is located adjacent to the larger theatre, which could seat as many as 5000.
 
8.  On this account the ancient architects, following nature as their guide, and reflecting on the properties of the voice, regulated the true ascent of steps in a theater, and contrived, by musical proportions and mathematical rules, whatever its effect might be on the stage ..., to make it fall on the ears of the audience in a clear and agreeable manner.  Since in brazen or horn wind instruments, by a regulation of the genus, their tones are rendered as clear as those of stringed instruments, so by the application of the laws of harmony, the ancients discovered a method of increasing the power of the voice in a theater....

Chapter 5--Using Harmonic Principles to Amplify the Voice in Theaters

1.  [Based on harmonic] principles, brazen vases are to be made with mathematical proportions, depending on the size of the theater.  They are formed so, as when struck, to have sounds, whose intervals are a fourth, fifth, and so on consecutively to a fifteenth.  Then, between the seats of the theater, cavities having been prepared, they are disposed therein in musical order, but so as not to touch the wall in any part, but to have a clear space round them and over their top:  they are fixed in an inverted position, and on the side towards the scene are supported by wedges not less than half a foot high:  and openings are left towards the cavities on the lower beds of the steps, each two feet long, and half a foot wide.

2.  The following is the rule for determining the situations of these vases.  If the theater be of moderate size they must be ranged round at half its height.  Thirteen cavities are prepared at twelve equal distances from each other....

3.  By the adoption of this plan, the voice which issues from the scene, expanding as from a centre, and striking against the cavity of each vase, will sound with increased clearness and harmony, from its unison with one or other of them....

7.  Some one may perchance urge, that many theaters are yearly built in Rome, without any regard to these matters.  But let him not be herein mistaken, inasmuch as all public theaters which are constructed of wood, have many floors, which are necessarily conductors of sound.  This circumstance may be illustrated, by consideration of the practice of those that sing to the harp, who when they wish to produce a loud effect, turn themselves to the doors of the scene, by the aid of which their voice is thrown out.  But when theaters are constructed of solid materials, that is of rubble, squared stones or marble, which are not conductors of sound, it is necessary to build them according to the rules in question....

Chapter 9--Healthfulness of Open Space

5.  ...walks [open to the sky] are very healthy; first, in respect of the eyes, because the air from green plants being light and volatile, insinuates itself into the body when in motion, clears the sight, removing the gross humors from the eyes, leaves the vision clear and distinct.  Moreover, when the body is heated by the exercise of walking, the air, extracting its humors, diminishes corpulency, dissipating that which is superabundant in the body.

6.  That this is the case, may be proved by observing, that from fountains in covered places, or those which are under ground, no moist vapors rise; whilst in open places exposed to the air, when the rising sun darts his rays upon the earth, he raises the vapors from humid and marshy places, and, gathering them into masses, carries them into the air.  If, therefore, in open places, the noxious humors of bodies are carried off by the air, as they are from the earth by means of clouds, there can be no doubt of the necessity of making spacious and pleasant walks open to the air in every city.

7.  That they may always be dry and free from mud, the following method must be adopted.  They must be dug out and drained to the lowest possible level; and on the right and left sewers must be constructed; and in the walls thereof, towards the walk, drains are laid, with an inclination to the sewer.  When this is done, the place is filled in with coals; over which the walks are strewed with gravel, and levelled.  Thus, from the natural porosity of the coals, and the inclination of the drains towards the sewer, the quantity of water is carried off, and the passages remain dry and unaffected by the moisture.

8.  In these places the ancients also made depôts for the reception of things necessary for the use of the city.  For in case of the city being under blockade, all things are more easily provided than wood.  Salt is with facility laid in beforehand; corn, from the public or private stores, is soon collected; and the want of that is remedied by the use of garden herbs, flesh, or edible seeds.  Water is obtained either by digging new wells, or by collecting it from the roofs of buildings; but wood, which is absolutely necessary for cooking the food, is provided with difficulty and trouble; and that which is slowly procured is quickly consumed.

9.  In such times these walks are opened, and an allowance distributed to the tribes, according to their numbers.  Thus they are conducive to two good purposes; to health in time of peace, and to preservation in time of war.  If walks are provided after these directions not only behind the scene of the theater, but also adjoining the temples of all the gods, they will be of great utility in every city....

Book X
Introduction--A Plea for Reasonable Estimates for Construction Costs

1.  In the magnificent and spacious Grecian city of Ephesus an ancient law was made by the ancestors of the inhabitants, hard indeed in its nature, but nevertheless equitable.  When an architect was entrusted with the execution of a public work, an estimate thereof being lodged in the hands of a magistrate, his property was held, as security, until the work was finished.  If, when finished, the expense did not exceed the estimate, he was complimented with decrees and honors.  So when the excess did not amount to more than a fourth part of the original estimate, it was defrayed by the public, and no punishment was inflicted.  But when more than one-fourth of the estimate was exceeded, he was required to pay the excess out of his own pocket.

2.  Would to God that such a law existed among the Roman people, not only in respect of their public, but also of their private buildings, for then the unskilful could not commit their depredations with impunity, and those who were the most skilful in the intricacies of the art would follow the profession.  Proprietors would not be led into an extravagant expenditure so as to cause ruin; architects themselves, from the dread of punishment, would be more careful in their calculations, and the proprietor would complete his building for that sum, or a little more, which he could afford to expend.  Those who can conveniently expend a given sum on any work, with the pleasing expectation of seeing it completed would cheerfully add one-fourth more; but when they find themselves burdened with the addition of half or even more than half of the expense originally contemplated, losing their spirits, and sacrificing what has already been laid out, they incline to desist from its completion.

3.  Nor is this an evil which occurs in buildings alone, but also in the shows of gladiators in the Forum, and in the scenes of plays exhibited by the magistrates, in which neither delay nor hindrance is admitted, since there is a necessity for their being completed by a certain time.  Thus the seats for viewing the shows, the machinery for drawing the Vela, and the contrivances for shifting the scenes, must all be prepared by a given day, that the people may not be disappointed.  And in the preparation of all these much readiness and profound thought must be exercised, because they cannot be executed without machinery, and the application of varied and extensive studies....

 
Go to:
  • On the Water Supply of Rome (c. 100 CE), by Sextus Julius Frontinus (c. 30-104 CE)
  • "The Dominion of Fancy" or Punch's Opera, published in London Labour and the London Poor (1851), by Henry Mayhew (1812-1887)
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