Week 8a Outline:

Tradition of Performing Arts in Japan: Kabuki

Section from Act 4 of Yoshitsune senbon zakura (Yoshitsune and the 1000 Cherry Trees), performed by Ichikawa Ennosuke
as the fox Genkuro who has been impersonating the retainer Tadanobu as he escorts Shizuka Gozen back to her lover
Minamoto Yoshitsune.

Pre-Recorded Lecture 6

I. Intro to the Edo/Tokugawa period (1603-1868)

C. Economics

II. Review of Muromachi (Noh) ghosts

III. Visual Representation of Female Ghosts in the late 18th- 19th centuries

A. Edo period ghosts (yûrei, "dim/hazy spirits")

1. Major influences: Kabuki and woodblock prints

B. Ghost of Oyuki, mistress of Maruyama Ôkyo (1733-1795)

C. Yugao (mistress of Genji killed by Rokujo), by Tsukioka Yoshitoshi (1839-1892)

1. Characteristics

a.

b.

c.

d.

e.

 

D. Okiku (killed by Aoyama Tessan or Tetsuzan)

1. Image 1 characteristics

 

2. Image 2 characteristics

 

3. Image 3 characteristics

Wikipedia on various verisons of Sarayashiki (The Plate Mansion)

Kabuki version (synopsis) known as Banshû Sarayashiki or just Sarayashiki (1824 and 1850,
based on a 1741 puppet play, set in Himeji castle) follows the original story pretty closely,
but makes Tetsuzan a traitor who is trying to take over Himeji castle and is
trying to get Okiku to join him in betraying and killing her lover, Tomonosuke, the rightful heir.

There is a second, modern version (synopsis), Banchô Sarayashiki (1915), set in Banchô area of Edo.
This version blames Okiku for the incident. She breaks the precious family heirloom as a test of love;
her lover Aoyama Harima at first pardons her when he thinks she did it by mistake, but then kills her
in a rage when he finds out she did it on purpose, and then in a fit of despair, kills himself.

 

E. The Nightly Weeping Rock

1. Other stories involving pregnant women

a. woman who buys rice candy every night

b. Ubume1, Ubume2 (cf Blood Pool Hell)

2. Comparison to Heian period mononoke possession of pregnant women (which was highly political)

3. Contemporary anxiety about abortion

a. Statues of Bodhisattva Jizo (traditionally used to memorialize/ritually help miscarried or aborted children,
or any child who dies young)
image

b. Modern form of the Mizuko-kuyô ritual develops in the 1970s in response to modern abortion--why?

III. Neo-Confucian ideal of "onna-rashisa" (female-likeness)