Japanese Ghosts Week 9a Outline
I. Basic Plot of Sugawara's Secrets of Calligraphy
C. What was the situation historically?
1.Michizane's use of marriage politics:
2. Why did it fail?
D. What happens to the triplets in the course of the play?
1. Umeômaru
2. Sakuramaru
3. Matsuômaru
a. Michizane's son, Kan Shusai
II. Sources for plot of play
A. Poems by Michizane about
Plum, Cherry, and Pine trees
1. How is the last poem related to the play?
B. Triplets born in Osaka
C. Oracles and other historical evidence (10th c.)
D. Kitano Tenjin engi illustrated scroll (13th
c.)
and Taiheiki (14th c.)
E. Noh play Raiden (14th c.)
III. Comparing historical sources with version in play
A. Kariya and Tokiyo's relationship
1. 10th c. (Michizane practicing marriage politics)
2. Bunraku
B. Politics
1. 10th c.
2. Bunraku
IV. Comparison of Michizane's transformation into Thundergod in 10th/14th
c. and "Mt. Tempai" in Bunraku play
A. How Michizane actually died historically
B. Oracle version (10th c. ) image
1, image 2
C. Kitano Tenjin engi (13th c.) image
1
D. Transformation in Bunraku
1. Why does Michizane vow to become the God of Thunder in Bunraku?
2. How is this different from earlier versions?
V. "Tumult in the Palace"
A. 10th and 13th c. versions
early version of the story,
Kitano Tenjin engi
B. Bunraku version (images)
1. What elements come from earlier (10th c.) versions of the story,
Kitano Tenjin Engi, and the Noh play Raiden? What is different?
a. image of snakes
2. How are the ghosts of Sakuramaru and Yae presented in this play? What
are their powers? Is Buddhism effective against them? What pacifies them?
IV. Influence of Edo period values/politics on the content of the play
A. Samurai values of honor and loyalty
1. Conflict between giri (duty) and ninjo (human
emotion) is a "conflict generator" for historical dramas
B. Righteous vendetta
C. Treatment of Emperor Daigo (Nichizo's vision of Daigo in hell, representing Heian period attitude, versus Noh and Kabuki idealization of Emperor)