Premodern Japanese Ghosts Week 6a Outline: Intro to Kyogen
I. Intro to Late Muromachi and Edo, historical period behind Kyogen
A. Who wears masks? Who doesn't? 1. 2. III. Carolyn Haynes: two forms of parody in Kyogen
1. Style appears to be serious like Noh, but content is silly or risqué. B. Reversing usual expectations (SYNTAGMATIC)
C. Other elements of humor
a. onomatopoeia (creaking sound: gara-gara-gara; sawing: zoka-zoka-zoka; pouring sake into a cup: dobu-dobu-dobu?
IV. Views of Hell in Kyôgen A. Review of Hell Scrolls (12-13th c.) 1. B. Review of Hell in Noh plays (14-17th c.) 1. C. Hell in Kyogen: both kinds of hell but funny 1. King Emma (Enma, Yama) plays (reversal of expectations--syntagmatic) b. What is he like in Kyôgen plays? Shigeyama Asahina click here for Asahina meets Jizo and Emma 2) e.g. Bird Catcher in Hell (Esashi Juô) The bird catcher, Kiyoyori, dies and meets King Enma (Yama) at the Crossroads of the Six Paths. He demonstrates how he catches and roasts birds for King Enma and his demons, and the birds are so delicious Enma lets him go back to the world of the living for 3 more years.
a. Karmic retribution
b. Universal Salvation
1. Emma Kyôgen a. b. a. b. IV. Kyôgen plays about yamabushi mountain priests and exorcisms, deities and demons A. Two kinds of yamabushi mountain priests 1. Tricksters a. The Snail (Kagyu): Servant (Tarokaja) sent to the market to get snails (delicacy) for dinner, but doesn’t know what they are; is tricked by yamabushi to think he is “the mother of all snails.” b. Persimmon Yamabushi (Kaki Yamabushi): mountain priest sneaks into a garden to steal persimmons; gets caught by owner up in the tree and is forced to perform silly acts 2. Incompetent exorcists a. Owls (viewed on “This is Kyogen”) 3. Why is it okay to make fun of Mountain Priests? B. Deities and Demons 1. Neck-Pulling (Kubi-Hiki) 3. Is this view of deities and demons surprising? Images of the Hundred Demon Night Parade Discussion questions: A. Mushrooms (Kusabira), Thunderbolt (Kaminari), Yao 1. What category of Noh play do you think they parodying? Can you point to a specific play? Provide support for your answer with quotations + page numbers. 2. What other kinds of humor do you see? Visual humor? Linguistic humor (i.e. onomatopoeia, puns etc)? Stage actions? How do the plays use this humor to make fun of religion? Provide examples/quotations to support your points (with page numbers). 3. What elements reverse your expectations given what you know about Noh? Provide examples/quotations to support your points (with page numbers). 4. What do these plays say about the common people's view of the supernatural (ghosts and deities)? Provide examples/quotations to support your points (with page numbers).
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