EA 170 Week 8a ONLINE LECTURES a. Edo: Neo-Confucian belief that young women are too inherently foolish/morally unsuited to be in charge of the education of their children; that job should be relegated to older generation b. Meiji: Liberals and conservatives agree that women need to be educated to be “Good wives and wise mothers” so that their children will be able to handle the challenges of modern life. a. Meiji Civil Code (1898) to "ensure the smooth operation of a male-centered, authoritarian, traditional family." (Bernstein, p. 8) a. production of new "history" plays b. decadent plays (such as Izayoi Seishin and Yotsuya Kaidan) dropped from repertoire a) parallels the rise of the "the woman problem" (fujin mondai) Hiratsuka Raichô 1886-1971
Kaneko Fumiko 1903-1926 Itô Noe (1895-1923 b. 1925-1945 “Public Security Preservation Law” aimed specifically at Communists, Socialists and Anarchists 1) "Anyone who has formed an association with the intent of altering the kokutai, or the system of private property, and anyone who has joined such an association with full knowledge of its object, shall be liable to imprisonment with or without hard labour, for a term not exceeding ten years." 2) outlaws women being members of any political party or attending any public political gathering III. 1930s/World War 2 CLASS Introduction to "Dream Girls" Video Twenty years old, but more recent NHK "Top Stars of Takarazuka"(2014) seems to indicate that nothing has changed. Using this video because it directly deals with issues of gender hierarchy and male domination by company executives much more clearly. The NHK documentary avoids those issues almost completely.
2. What is the role of the male executives? 3. How do the top stars negotiate between the demands of their fans, demands of male executives, and their own desires? What about lower ranking actors?
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