Week 3a-4a: Angry Women, Hungry Ghosts, Hell, and Medieval Folk Tales


Week 3a: Intro to Mononoke and Lady Rokujô

Reading:

[OL] "The House Had a Spacious Courtyard" (Pillow Book of Sei Shonagon) and
excerpt from Murasaki Shikibu, Her Diary and Poetic Memoirs [click here]
[OL] poem from Murasaki Shikibu's poetry collection;
[OL] Tale of Genji, "Heartvine" (159-175) and "Shrine in the Fields"
Review: Catalpa Bow, pp. 298-301
[OL] supplementary reading: click here for a synopsis of Tale of Genji (to give context for the chapters)


[OL] supplementary reading: [OL] Bowring, Murasaki Shikibu: The Tale of Genji
"The Cultural Background" pp. 1-21

Reading Questions:

NOTE: The first two readings are on the same pdf file. The Murasaki Shikibu diary exerpt begins on the second page of the pdf file. The diary translation is on the right, with notes on the left. So you need to read consecutive right pages.

"The House Had a Spacious Courtyard" (discussed in Catalpa Bow, p. 299)
This excerpt describes an exorcism that took place around 1000 C.E.

    1) Does this description follow the basic organization of an exoricism as outlined by Carmen Blacker? What role does the young woman play? The esoteric priest?

    2) What is Sei Shonagon's attitude towards this exorcism? Do you think she believes in it?
     

Excerpt from Murasaki Shikibu, Her Diary and Poetic Memoirs (discussed in Catalpa Bow, p. 299)
Murasaki Shikibu, the author of Tale of Genji, was a lady-in-waiting to Empress Shôshi (also known as Akiko), a daughter of the most powerful man of the time, Fujiwara Michinaga. This excerpt describes the scene around Empress Shôshi as she goes through childbirth.

1) Why would there be so much anxiety about the childbirth? What political issues might be at work here?
2) What kinds of rituals are performed? Who are the active exorcists? Who are the mediums?


Tale of Genji, "Heartvine": This chapter describes how Prince Genji's wife, Aoi (or Aoi no Ue), is attacked and killed by one of his mistresses, Rokujô. It will probably be helpful to read a synopsis of the tale (esp. chapters 1, 2, 4, 5) to understand the context. See also this genealogical chart for character relationships. But note that even if you have been reading the book from the beginning, this is the first mention of Rokujô -- the reader is not given much backstory! At the start of this chapter, Rokujô's husband, the Crown Prince, has been dead for about 9 years or so and she has a 13 year old daughter who is being sent to Ise as the priestess. While reading, pay close attention to how the attack on Aoi occurs.

    1) What incident precipitates Rokujô's attack on Aoi no Ue? How does Rokujô feel about the attack? Is she conscious of her actions?

    2) What form does Rokujô's spirit take in her attacks? What effect does the attack seem to have on Aoi no Ue's personality? How does Genji find out that Rokujô is responsible?

    3) How does Buddhism and shamanic exorcism function in this story? What role do the priests play?

Poem from Murasaki Shikibu's poetry collection:

A poem written about a painting on a screen:

Someone had drawn on a scroll the unpleasant form of a woman possessed by an evil spirit. Behind the possessed woman, a priest was restraining the husband's former wife, who had appeared as a demon. The husband was trying to subdue the evil spirit by reading a sutra.

In his anguish
He has blamed it on his dead wife,
But is it not
The demon in his own heart?

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    1) From the evidence of this poem, what is Murasaki Shikibu's attitude toward demonic possession? Compare this to how demonic possession is presented in Tale of Genji (also by Murasaki Shikibu). Do you think she believes in possession and possession illness? Why or why not?

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Week 3b-4a: Hell, Hungry Ghosts, and Demons

Images of the Hell and Hungry Ghost scrolls (click here).

1. How do the images of Hell compare to images of Hell in medieval Christianity? What is similar? What seems different?

2. Why do you think the concepts of heaven and hell develop in religion generally?

3. What might the image of Hungry Ghosts be modeled on? Why is their embodiment appropriate for their "sin" of over-indulgence in worldly pleasures?

[J Tales] "Introduction"

Royall Tyler's introduction to Japanese Tales gives you a sense of the worldview of late-Heian and medieval Japanese. The goal of the setsuwa stories was both didactic (usually teaching a Buddhist moral) and entertainment. Pay special attention to the sections on religion and the supernatural (pp. ixxx-lii); it is a good review. The tales mainly date from the 11th-13th centuries, and reflect the changing attitude towards ghosts and demons in this period.

[J Tales] Various setsuwa tales. I've grouped the tales into categories (Tours of Hell, Demons, The Hundred Demon Parade). See what you can figure out about medieval Japanese beliefs about hell and demons just from reading the stories. Why do people end up in hell? How do they get out? Are demons always "evil" in these stories? Why or why not? Here are three examples:

#149 "Incorrigible"

    This story follows the "tour of hell" format that we saw in the Michizane oracle by Nichizo/Doken (#101). Why is it surprising that a poet should have this vision? Why does he end up in hell? How does he escape the first time? The second? What seems to be the moral of the story?

#215 "Be Good to Your Mother and Your Father"

    Another tour of hell. Again, how is this different from earlier hell tours? According to this story what keeps you out of hell? What clues are there that this story was not developed in a Buddhist context?

#46 "The Weight of Tradition"

What is interesting here about the reasons Haruto is sent back to life? What does it seem to say about King Enma (or Emma)?

[OL] Optional Review Robert Ellwood, Japanese Religion
"The Kamakura Period" and "The Muromachi Period" (35-42)

Understanding the historical changes in Medieval Japan will help you understand the changes in the representation of ghosts. If you have no background in Japanese history and religion, you really need to read this! See also the link to my historical chronology.

Week 4 Discussion Section:Ghosts Become Visible

Reading [J Tales]:
Review: "Introduction" to Japanese Tales
"Very Kind of Him, No Doubt" (#28)
"A Model Demon" (#97)
"Hell in Broad Day" (#216 pp. 313-314)
[OL] The Taiheiki, "The Suicide of the Protector of Etchû"

See the Discussion Questions for Week 4
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